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Typography
The use of type in visual communications has infinite possibilities. Words, names and numbers can be seen in terms of the information they convey, but the "form" size and style of the type itself, also communicate a vast amount of information. Typefaces can be associated with cultures, moods, activities, objects and environments independently from the meaning of the words. The relationships between the meaning of words, the typeface, the location, orientation and the environment they are in, can support or break the readability and legibility of the message. The following examples address the issue of orientation and hierarchy. |
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Credit Card Data The orientation of the text and numerical information seems to be linked to the axis. None of the text (or numbers) are parallel to the ground (relative to the user). The text is not only fixed to the axis, but converges in space. The image uses a three-point perspective directing the text towards those points. One possible objective the designer had in mind was taking advtange of the flexibility of a three dimensional environment with no ground. The user can rotate the image which requires that the information be readable from any angle. The hierarchy of the information comes into question since the solution is user-configurable. |
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Upside-down map |
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